Wedding Favors, Wedding Gifts, Wedding Dresses and Wedding Gowns
by tvsetonline on Jan.27, 2009, under rent, rentals
Wedding Favors, Wedding Gifts, Wedding Dresses and Wedding Gowns
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Screenplay: Shrek (2001) Deconstructed
From our deconstruction of hundreds of Hollywood blockbusters at www.managing-creativity.com/
The Hero’s Journey is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the Hollywood movies we have deconstructed are based on this template.
Understanding this template is a priority for story or screenwriters.
The gluten home allergy test Hero’s Journey:
a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.
b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
c) Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.
and more…
Sample Movie Deconstructed: Shrek (2001)
FADE IN: context / foreshadow of the Journey: condo to sale puerto rico open book; once upon a time there was a lovely princess….
Meeting the Hero in his Ordinary World: Shrek in the swamp.
Hero’s capabilities, status, reputation: “this is the part where you run away.”
Meeting the Loyal Ally and his character: the Donkey.
Loyal Ally’s Inner Challenge: “I don’t have any friends.”
Foreshadow of the Journey / Hero’s True Nature: Shrek saves Donkey ; the soldiers run.
Hero and Loyal Ally relationship: Shrek wants Donkey to go away.
Hero’s Inner Challenge: “I’m an Ogre, doesn’t that bother you?”
Developing Hero’s Inner Challenge: having dinner alone.
Call to Adventure: Fairy Tale creatures forced to seek protection from Shrek in the swamp.
Journey to the First Threshold: Shrek and Donkey go to see Lord Farquaad.
Meeting the Antagonist, important characteristics, nature: meeting Lord Farquaad; short; evil; torturing the gingerbread man.
The Antagonist’s Challenge: to become a real king.
Meeting the Romantic Challenge: the mirror tells us that Princess Fiona is locked up in a castle.
Antagonist’s Ordinary World / viewing the First Threshold form a distance / reminder of Antagonist’s characteristics: the castle; “do you think he’s compensating for something?”
Threshold Gu